obsolete forms

Nature landscape impressionism painting

let’s talk about art and the creation of art and what is art.
when people first wanted to record what they saw or happened they painted on the walls of caves with paints they created from things around them. it represented what they saw and did. then over time the technology improved. paper. canvases. but people continued to paint to show what they saw.


photography was invented and replaced painting as a technology for recording. painting became art. people used to record events on their cameras. people, places, things. until the rise of the movie camera which replaced the camera as a means to record events. so photography became art and movies became the way to record events. a new technology on the scene. this in its turn became superseded by computers. each new technology reducing the previous to art. the old technology became a means of expression. the representation of the idea.


and now we find ourselves with a new technology making redundant the old. AI. all before is reduced to art. obsolete technology the expression of art. text and image. but what of AI? some say that they create art using AI. they enter the commands and something is produced. they call it art. they claim creation. but is creation just merely the idea and the output?


when earlier artists created an artefact was it merely the output that was considered the art? the result of thought, experimentation, technique, the breaking of rules and the inventing of rules. does not the process also make the art. with AI there is no process. there is simply the input of the idea and the output. there is no experimentation with the materials, the developing of technique, the following of rules and the breaking of rules. that was all done by the artists whose work was scraped and stolen. there is no original technique and expression of process. the process is gone. bastardised. just idea and output.


am i being too hard on the AI creator? i think not. previous technologies that became art did not rely upon the stealing of the work of others. it is not an averaging of many different people’s thoughts, processes and ideas. and even when previous creators made art with dead technologies based on other creatives’ ideas they acknowledged the fact. they made reference to it. they did not claim it was solely their creation. they owned up to the great artists they were inspired by. AI artefacts make no such reference or admittance. they lie that they are original, something new. rather than an amalgamation of many creatives’ ideas.


if you want to be seen as a creator of art then engage with the process of art. take time to develop your skills. find your own voice. develop your own techniques. break the rules your way. develop your own new rules. don’t short cut and steal another’s work and claim it yours. you did not own the process. the work is not yours.

london

london has been the inspiration for my writing since i moved here over 25 years ago. from the outside you might think is a humongous whole on crossing the river thames like some great up turned turtle flailing it’s legs. or you might think it is just a large discarded black bin bag discarded carelessly across a stream. both would be somewhat true but inaccurate. fairer to say that london is a collection of towns, neighbourhoods, connected by the web that is the london underground system.
it is known for certain people to rarely leave their particular neighbourhood. to never venture much further than their local high street and corner shops. after all, what need for the centre of the city when you can find what you need on your doorstep? i have known children to have only for the first time to have experienced other polaris of the city, the tube, when taken on school trips with their schools. otherwise their familys stay put.
and who can blame them when you consider the city of london itself, the centre core, is made up of towering office buildings and bars and stores that close over the weekend. what to entice the venturous then? particularly when you factor in the increase in prices should you enter there.`
yet central has much to offer. numerous museums and galleries where you can seek inspiration for a tale. cafes where you can watch the world go by whilst surrounded by works from the past. hidden lanes that lead you to a bygone age of mystery with a pint in a boozer at the end where the decor and clients haven’t changed in years.
then outside of central you have the neighbourhoods. often referred to by their stop on the tube line. in the south: brixton and its caribbean roots gradually gentrifying with the influx of the thirty-somethings in search of their first homes. in the west: richmond where the money lives with leafy parks and pubs upon the thames. in the east: barking with sprawling council estates and descendants of the working class made good. in the north: haringey, the home of protest, upheaval. these are just some places but there are many more and everywhere, the wealthy rub shoulders with the poor divided by the post code they choose to live in.
with such variety and diversity in a living museum of culture, who could not get inspired to write? how could it not play a key role in the work im producing?