Almost night. The light dims. The time when the big ones sleep. It is your time. Time to rise and stretch. Take a bite. A drink. To explore. A garden of possibilities. Not star dark yet. You sniff the air. Feel the night breeze on your face. Stroking you. A distant sound. Dog calling. Too distant for trouble. A jump. A gymnast on a bar. You dance along. Instinct. Then sit. This will be the last time. You feel it. In your paws. In your bones. The coming of the end. No more to watch the flight of falling stars. No more to search among the ground for the exciting. You think back to the loves. The wars. They are gone now. Only you remain. Silver at your ears. Watching the days. But this the last. No more. The end of nine.
This came about thinking of a twilight memory. It struck me it would be more interesting if it wasn’t a human but an animal thinking of their life. I chose second person as I wanted to put the reader into the body of the animal. To become the animal. To make them closer to the animal. To increase empathy.I think it works.
Last night I ate sea urchin. It tasted of the ocean. The body soaked with the tears of whales crying for the loss of their children. The warm fur of a white seal pup before it meets its end at the hand of cruelty. The plastic embrace of a shopping bag around the throat of an arctic tern. It cried for its fish brothers that nevermore would dart between its feelers searching for food. It whispered to me of lost porpoises trapped in nets raping the sea. It told of sharks too fearful to leave the sunken ships of death’s folly. I heard the boasts of old sailors swapping trinkets for lives. I stopped a moment and put the chopsticks down. Then ordered another item from the menu. One without the bitter taste.
This came about after going to a restaurant and trying sea urchin for the first time. It got me thinking about how we abuse the sea, the plastics and rubbish littered there, and the depletion of fish numbers as well as other mammals.
ball of contentment sweet dreaming of warm log fires and a little mouse
This poem came about because I was trying out different poetry forms. I like poems with clear structures that constrain you but at the same time free you as you don’t have to worry about how many stanzas you are going to use, or what rhyme pattern you are going to go to battle with. This poem is obviously about my cat and how content he looked settle on my lap before a winter’s fire.