a psychogeography of turnpike lane

in the summer of 2023, during the haringey arts festival, i got involved with a writing project. the idea was to map the psychological reaction to local area in turnpike lane, london through pieces of poetry and prose. we spent an afternoon exploring and writing about the local area.

writers ventured out. made notes. then sat and scribbled a piece or pieces of writing. what resulted was a collection of work that spoke of different roads, shops, buildings, or journeys.

after some editing and compiling by clever people, a book was born. some abstract illustrations were added to accompany the work, and a year late the book was launched in london.

i attended a launch in the all good bookshop which is right in the heart of turnpike lane. extracts were read, discussion took place, plans were made, and whiskey dunk.

friday 20th september sees us at the magnificent st mary’s tower in hornsey to promote the book. it promises to an atmospheric evening of celebration, laughter, and possibly intrigue.

ants

according to Google: the common ant you find in british gardens weighs one milligram.

it is a warm summer’s day in june. about 23 degrees. and i lie on the grass in my garden. the sun beats down on my back and legs. i have a black t-shirt on and black jeans. not really summer wear but being a folk who has many a mole this is how i tackle summer and avoid skin cancer. it is hot. even the birds have given up.

i soak up the sun like a lizard. feeling it pour into me. warming every part. i am being slowly baked by heat. delicious heat. as i drift between consciousness and a semi-dream state.

i open my eyes and study the grass before me. it’s several shades of green. lime. jade. olive. pickle. brown in patches. recently cut. it sports a neat trim that is not quite maintained when it reaches the flower borders. there are a few tufts springing up there. the places i didn’t quite cut with the mower. it is not the neatest of jobs but i decide to not let it guilt me. better to be lying in the sun.

my eye is caught by a movement in the grass. it is small but i still catch it. the movement of a cut sliver of green. an ant crossing the jungle of the lawn. crawling between each blade as it makes its way somewhere. i wonder how many ants there are there at that precise moment crawling through the grass. all on an errand to somewhere. perhaps they carry an urgent message. the sighting of a delicious sugary treat in someone’s house. just waiting to be exploited by the right colony of ants. the thought of so many ants crawling around me gives me the creeps. i bring my thumb down and squash the ant in front of me.

i always hated ants. the days before i knew better. when i would unwisely sit near a nest playing. then i would find them crawling on me. tickling my skin. making their way over my legs. i would scream. jump up. frantically bat at my body. try to get them off me. i would run. into the house. screaming. throwing my clothes off. my parents would come running. wondering what the matter was. they would find me. in the shower. hot water flowing over me. cleansing me of my hidden enemy.

i would enact my revenge on the ants. not by pouring hot water over the nest. no. that was too quick. too kind. i would get my lego. build upon a green base piece. a maze of walls with chambers. an entrance in. an exit out. add obstacles to overcome. twigs. leaves. sand. lego dots. then i would catch an ant. place it in the centre of the maze. add one or two more.

i would watch fascinated as they tried to make their way round. over the twigs. through the sand. under the lego dots. one would try to climb the walls. i would knock it back down. it soon learnt that way was futile.

the unfortunate ones would enter the torture rooms. the chambers where a splash of water would fall down. or a cascade of dirt or stones. the really unfortunate would enter the chamber where the brick came. crushing. squashing them. complete.

those that made it out of the maze got special treatment. they would be lifted high between my fingers. and placed upon alone lego brick. hot sun burning down through a magnifying glass. cooking and curling their form. a worthy sacrifice to an unseen god on a plastic alter.

the sun beats down. i lie watching the grass before me. there is another movement. two movements. near each other. two ants this time. making their way across the jungle lawn. are they friends? buddies on a little adventure. did they spend time in their colony of an evening discussing how their day had been? stories of the number of sweet foods found? i bring my thumb down. squash them. fucking ants.

the sun beats down. my lips are parched. but i’m too drowsy to move. i’m enjoying my spot on the grass too much. better to lie here. laying in the heat. i don’t want to move. just to enjoy the warmth on my back. the moment. more movement in the grass. four ants this time.

there was a time when i visited a forest with my parents. a sunday country walk. meant to get us kids away from the tv and invigorate the soul. or some shit like that. ahead of the others. i was clambering down a mud bank. dried earth baked in the sun. brown pine needles littering the earth. down on my back i went. slipping and sliding to the bottom. falling on my arse. i sat there a moment. not realising. not realising i was sat on a group of ants. big fuckers. bigger than the ones we got in our back garden. red and black bodies. shiny like berries. and they bit. oh, how they bit. i screamed and panicked. leapt up away from the ground. brushing frantically at my legs. my feet, they bit more. i don’t know how long i was there screaming and scraping away at my legs with my nails. red raw skin. before my parents came running. consoling. they brushed away the pain. i hated forests after that.

the four ants move across the grass. they are heading my way. i bring my thumb down. the executioner. squashing each one by one.

‘fuck you ants!’ i yell as i kill the last of them. ‘fuck you and all the ants!’

the grass turns to stillness. quiet. tired by the exertion in the sun my eyes droop. close. darkness.

it was the moving sensation that woke me. the sense of bobbing along. like moving on a gentle wave. floating.

i try to open my eyes. but i can’t.

i try to move my hands. but i can’t.

my legs. can’t.

i am bobbing somewhere. moving. being carried by something. i try not to panic. in the blackness. i can feel movement over me. small. tickling. out of reach. it makes me want to scream. but i can’t. my lips are held tight shut.

i try to focus my strength. focus my strength all into my right arm. centre it there. then a sudden movement. a pull. i pull my arm free. claw at my eyes. i can see. i wish i couldn’t.

they don’t fight back. they don’t cover my eyes again. maybe it was a sort of punishment. a way of letting me see the full horror of my situation. my arm is pulled back firmly. i can’t resist.

there are hundreds of them. thousands. thousand upon thousand of small black ants. small black bodies. crawling. moving. on top of me. under me. a thick living blanket of black bodies. constantly on the move. they are all over my mouth. in my ears. around my eyes. i piss myself.

we are in the sun. but are heading somewhere. purposeful. determined. i can’t turn my head to see. all i can see is the sky. crisp white clouds. ocean blue sky of a summer’s day. the ants. then darkness. we have entered somewhere. a tunnel of sorts. it feels as if i’m heading downwards. there is the feint smell of vinegar. we are dipping. along the tunnel. deep. deeper. it seems to be getting warmer the further we go.

i sense movement around me. in the heat. the darkness. and a feint hum. low. on the edges of sound. all around. it is increasing. as we go deeper. like the hum of an old television set when you turn it on. warm. hum. darkness.

then we stop moving. bobbing. downwards. and i feel them turning me. there is light here. i sense a presence. something powerful. i don’t want them to turn me. to see. the hum fills my head. my skull. pressing. my black captors release me. disappear in the dim light. my eyes get accustomed. then i see. and i scream.

the chamber is hot. stuffy. stifling. it stinks of vinegar. strong. overpowering. it stings my eyes. i blink to see. above me. towering over me. in this large chamber. is a huge figure. six limbed. thick as trunks. hairs like thorns. head the size of a small black car. mandibles opening and closing. giant shears that could snap an arm in two. a beast as tall as a house. a giant ant. the god ant. the humming intensifies. painful. and i know it comes from the god ant. it fills my head. i understand it. what it is saying. and it terrifies me.

the common ant you find in british gardens weighs one milligram.

stuff about writing

Image of cup with writing on it. Prose poem writing.

So I have been reading ‘Swallowed by a Whale’ which is a book all about writing by writers and I have come to a few conclusions about writing.


1) Write. You should write. There is no avoiding it. Even if you dislike it. You have to write to become a writer. Many say each day. Or regularly. The amount of time does not matter or the word count. The important thing is to do some writing. Not to put it off. Procrastinate. Clean the tiles in the kitchen with a toothbrush. After all, that blank page will not fill itself.

2) Thinking counts as writing. Daydreaming counts as writing. Going for a walk daydreaming about thinking about writing counts as writing. It is important to do. It solves writing problems. It gives your mind space to create. No need to ask permission. Just do it. I find walking somewhere or sitting in a pub always works for me. Try it.

3) Adverbs are out. And adjectives as well. Exclamation marks for some reason! I have no idea why. They just say they are. Words will be next. You have been warned.

4) Where you write doesn’t matter. At a table. On the tube. In a specially constructed hut with all your nice things that someone else paid for (I wish). I tend to write in pubs. I find if I am away from household things I’m not feeling guilty about the things I haven’t done. I can give myself permission to write. When I’m in the house and writing I feel neglectful.

5) Get your first draft down and don’t worry too much about errors. Do not start rewriting your first few chapters over and over again as much of it will be cut. Mind you, I don’t follow that rule at the moment. I am writing a chapter, taking an enforced break, re-writing that chapter, write a new one. I find it gets me back in to writing as I can’t always write every day. It continues my flow and allows me to think of ideas to add to a chapter and act on it within a short time frame. I’m no good at making novel writing notes. Mine would be too brief so completely incomprehensible when going back to a chapter. Or so detailed, they would take longer than the novel. My approach works for me. It may work for you. Try it. Think about. Then do it your way.

6) Do not compare yourself to other writers or try to be another writer. You can’t. You can only be you. Their books you read have had a lot of time spent on so your first draft won’t be like that. And their lived experience makes them what they are and how they write. If you try to copy, it will be a pale imitation. Write you. Do not worry about other writers’ success. Think about your own triumphs. Set yourself small manageable goals. It is the nature of writing that you will never be happy with what you have achieved. Sorry. But we are riddled with self doubt. Even great writers like Dickens thought their writing might not be up to scratch.

7) Do not read reviews. Positive ones will only enlarge the ego and make you think you are a master of your craft and don’t need to improve. This leads to stagnation. Or you will think you are terrible and stay awake every night thinking about them. Just be happy if someone buys your book. If only just once. Someone liked the idea. You.

9) If you’re writing you are a writer. No one says to an unexhibited artist they’re not an artist or unrecorded musician they are not a musician. If you create you are a creator. You don’t need permission or official recognition to be a writer. Are you writing? Then you’re a writer. It’s that simple.

10) Writers like lists. They’re quick to write.

Thoughts based on Swallowed by A Whale (How to survive the writing life),’Edited by Huw Lewis-Jones.

LITTY STUFF: Originating Orphans

Writers' Workshop

I recently was lucky enough to attend a workshop on How to Write Kids’ Fiction led by Joe Craig and Anthony McGowan as part of the Wood Green Literary Festival organised by the Big Green Bookshop. We were also fortunate enough to have Marianne Levy and Allan Boroughs (whose first book will be out next year) in the audience so there was a very good ratio of the published and would be published.
It was a very refreshing experience hearing from two writers of very different fiction. What came across was their thorough understanding of the genre they work in and enthusiasm for each other’s work as well as those trying to break through. What was of particular interest to me were their theories concerning structuring a narrative with an interesting protagonist – I guess it’s a hark back to the days when I studied Literature.
One of the points from Anthony McGowan that particularly intrigued me was the concept that the main character needs to be an orphan in some way. This is because parents or responsible adults would stop the protagonist from doing what they need to do. The orphan becomes a wanderer on their journey, receiving gifts from helpers on route. Eventually, there is a climatic battle before the end resulting in the orphan becoming a martyr somehow (my notes on this last bit aren’t great).
It struck me, that this is essentially what I did with my character Billy in my first book without realising it and got me wondering how many different ways a character can be an orphan. Here’s my list so far:

  • The character is an actual orphan (BFG;Harry Potter; A Series of Unfortunate Events;Walkabout)
  • The character is emotionally isolated from parents (Matilda;Goodnight Mr Tom; I Will Call It Georgie’s Blues)
  • The parent becomes lost/absent (Pippi Longstocking; Nim’s Island;Famous Five books)
  • The child is isolated due to a disagreement (The London Eye Mystery)
  • The child is isolated due to a secret (The Borrowers; The Magic Finger; The Turbulent Term of Tyke Tyler)
  • The child is isolated due to a physical/mental condition (Secret Garden; The Curious Incident of the Dog in the Nightime; Henry Tumour)
  • The child is lost 
  • The child is economically lost (Charlie & the Chocolate Factory)
  • The child is isolated due to social mores
  • The child is isolated due to a need to enact a rescue or go on a journey (Lion, Witch & Wardrobe; The Ice Palace)

There are probably many more but I can’t think of them for the moment or of examples to go with a couple of my ideas. Perhaps you could suggest some.

I did some background reading on the orphan concept using Wikipedia  and a study by Kimball . If anyone can suggest a source for a more contemporary take on this, I would be grateful.

Cheers