doppelganger

Minimalist portraiture women outdoors

Margaret Atwood in her book ‘On Writers and Writing’ talks of authors living in a life of split-personality. Like Dr Jekyll and Mr Hyde we exist with a darker self, our writer’s voice or being. Whilst we live good wholesome lives earning a crust to support our writing identity and enable us to do the thing we love, when faced with a blank page and a typewriter we turn dark. We will happily murder a character that our poor readers have grown to respect and love. We will with joy bestow upon a poor child a life of misery in the harshest of conditions with no seemingly way to exist the torment. We will bring death to the door of a beloved pet. All for the story. Always to the unseen god of story.

It is no wonder then that some readers when faced with the writer in front of them may confuse the voice of the book, the one they had previously trusted until the heroine died horribly in a fire, is the same as the voice of the writer. That both hold the same sentimentalities and beliefs. That both are not indistinguishable from the other. After all, are not writers told to ‘write what you know?’ What more evidence is needed then that the writer is capable of these hideous offensives?

Yet, when writing the writer often detaches themselves from their character and world. Yes, there may be elements of their psyche that influences the path of the story. But the story is a being onto itself. The characters make demands. Choose their own paths. You may hope a character will do certain actions but the god of story may demand otherwise. And who is brave enough to oppose the god of story? Those who do sacrifice their existence.

end of eras

air balloons in sky over Bristol, UK

it has been a time of end of eras. things coming to a close or a major change happening after many years of just coasting along. days unchanging. constant. sure.

the first of these changes has been no.1 child finishing their ‘a’ levels and launching themselves onto the world. they are full of ideas and enthusiasm for what lies ahead, edged with a hint of steely determination. i think they are better prepared than i was at the same stage in life. much more knowledgable and wise.

part of this launch was moving out of the house for 10 weeks to do a course in bristol. the last time i was there was probably for an evening when my friends and i dove up from taunton and went to a large warehouse where four punk bands were playing. the headliner was the henry rollins band. i think he was also trying to flog a poetry book as well.

i have mixed emotions about the departure of no.1. i’m losing a buddy who always had something interesting to talk about. a new discovery. there is a space in the house where they were. but i’m also excited to see what will happen on their journey. what new adventures they will report back on. what life holds for them.

the second end was finishing my WIP. my novella. i started it in october 2022 and it has been with me sporadically since then. it has been the hardest piece of writing to write. it was out of my comfort zone. it had a number of elements i had to juggle and they needed to all land successfully. it was also the most planned because of this. i had to make every step right.

i was sporadic in the writing because i made some major changes to my life. changed my working world. made it less certain. and i’m older than when i wrote ‘wishbone billy.’ i don’t have the energy to do the late nights writing. and i find i also lack the focus now since the covid pandemic and lockdown. my ability to concentrate for long periods has dropped. i’m sure there will be a study somewhere which will look at the impact of covid on the mind. on cognitive function. if not, there should be.

and there was the doubt.the great shadow of the imposter raven on my shoulder. waiting. pecking. freezing my mind. it took some battling some days to overcome it and put words to page. to have the confidence in the project. the belief i could do it. i had to keep telling myself i had done it before. i could do it again.

and so three years later the first draft is done. finished. it is out to beta readers who will come back with an honest verdict on the thing. i look forward to hearing. and am beginning to ponder part two of the series. at the moment it is just a vague thought. but it is forming. ticking over. i’m excited by what my mind will generate.

the last end. the last end of the era. was the death of kaos my cat. he has been at my side many a time as i sat writing. he had appeared in many a prosepoem. but his time had come to an end. it was quick. surprising. heart breaking. there is a small space in the house where he should be. but he is not there. and when i sit at night to read or write it is just that bit more lonely. i think there will be the patter of his feet and a jump as he lands on my lap. but there is nothing. just me. my book. my writing.

Kaos the cat. black cat.

the trouble with tinkering

maybe it started with the sink. we used to have plugs and chains. it was a simple and effective system. you would put the rubber plug in the sink hole. fill the sink with water job done. then a bright spark got to tinkering. what if instead of a plug you had something you could turn and the plug would go down and block the hole? no. not good enough. what about if the plug was just a push and pop up? you just push down on the plug then fill the basin. marvellous. life is simpler.
except…
you now have to replace the whole sink if the plug stops working. just replace the plug. don’t be daft. it’s a more complicated system. what? you used to just get a new plug and chain? oh. that was the old days. things are better now.

or there is the tap. the tap starts dripping. you need a new washer. except that isn’t the solution anymore. you can’t just buy a new washer and stop the dripping. not now. not now with these new taps. we’ve been tinkering. you now have to buy a whole new tap unit if it starts to drip. nothing for it. it’s all inbuilt you see.

that website you like. the one easy to use where you can find everything you like? well, we’ve made a few improvements. we’ve added a pop up help system so you don’t have to look for help. it will pop up every few minutes to remind you we’re there to help. and we’ve tinkered with the menu. we’ve made some features that used to be optional add ons. you now have to pay for them but they are new and improved. better.

that’s the problem with tinkering. it’s infectious.you’ve finished your first draft and edits. and you get to wondering. what if i just add a little bit to the scene here. that will improve. it. oh. now i have a plot hole. i’ll just fix that with adding a bit about the character here. oh. now that character’s actions don’t make sense. i’ll add a new piece about them here. oh. a new plot hole. i just…

don’t tinker. if it works leave it. don’t be tempted. not everything added is an improvement. sometimes things are best left as they are.

a psychogeography of turnpike lane

in the summer of 2023, during the haringey arts festival, i got involved with a writing project. the idea was to map the psychological reaction to local area in turnpike lane, london through pieces of poetry and prose. we spent an afternoon exploring and writing about the local area.

writers ventured out. made notes. then sat and scribbled a piece or pieces of writing. what resulted was a collection of work that spoke of different roads, shops, buildings, or journeys.

after some editing and compiling by clever people, a book was born. some abstract illustrations were added to accompany the work, and a year late the book was launched in london.

i attended a launch in the all good bookshop which is right in the heart of turnpike lane. extracts were read, discussion took place, plans were made, and whiskey dunk.

friday 20th september sees us at the magnificent st mary’s tower in hornsey to promote the book. it promises to an atmospheric evening of celebration, laughter, and possibly intrigue.

moment 11

so i am sat here in a courtyard surrounded by boutique shops and a bus that is a bar. i come here to escape the distractions of day time TV or the internet, the endless ramblings of social media. i sit sometimes in the yard on an unsteady bench or on other days in the 2nd hand bookshop, writing in my small black moleskine notebook with a drink to hand. usually, i am left alone to ponder, imagine and daydream before a customer comes into the bookshop to interrupt and peck at my quietness. but it is a bookshop. so we are often in our own worlds, them in an endless list of book titles seeking to hook, me in a sentence, a moment, searching for a word that stays just out of reach. the courtyard was not always such a pleasant place. once it was an unloved carpark full of lost promise and refuse. now, it is a place of creativity and creation. ideas blossom until the yard is full of flowers waiting to be picked.

stuff about writing

Image of cup with writing on it. Prose poem writing.

So I have been reading ‘Swallowed by a Whale’ which is a book all about writing by writers and I have come to a few conclusions about writing.


1) Write. You should write. There is no avoiding it. Even if you dislike it. You have to write to become a writer. Many say each day. Or regularly. The amount of time does not matter or the word count. The important thing is to do some writing. Not to put it off. Procrastinate. Clean the tiles in the kitchen with a toothbrush. After all, that blank page will not fill itself.

2) Thinking counts as writing. Daydreaming counts as writing. Going for a walk daydreaming about thinking about writing counts as writing. It is important to do. It solves writing problems. It gives your mind space to create. No need to ask permission. Just do it. I find walking somewhere or sitting in a pub always works for me. Try it.

3) Adverbs are out. And adjectives as well. Exclamation marks for some reason! I have no idea why. They just say they are. Words will be next. You have been warned.

4) Where you write doesn’t matter. At a table. On the tube. In a specially constructed hut with all your nice things that someone else paid for (I wish). I tend to write in pubs. I find if I am away from household things I’m not feeling guilty about the things I haven’t done. I can give myself permission to write. When I’m in the house and writing I feel neglectful.

5) Get your first draft down and don’t worry too much about errors. Do not start rewriting your first few chapters over and over again as much of it will be cut. Mind you, I don’t follow that rule at the moment. I am writing a chapter, taking an enforced break, re-writing that chapter, write a new one. I find it gets me back in to writing as I can’t always write every day. It continues my flow and allows me to think of ideas to add to a chapter and act on it within a short time frame. I’m no good at making novel writing notes. Mine would be too brief so completely incomprehensible when going back to a chapter. Or so detailed, they would take longer than the novel. My approach works for me. It may work for you. Try it. Think about. Then do it your way.

6) Do not compare yourself to other writers or try to be another writer. You can’t. You can only be you. Their books you read have had a lot of time spent on so your first draft won’t be like that. And their lived experience makes them what they are and how they write. If you try to copy, it will be a pale imitation. Write you. Do not worry about other writers’ success. Think about your own triumphs. Set yourself small manageable goals. It is the nature of writing that you will never be happy with what you have achieved. Sorry. But we are riddled with self doubt. Even great writers like Dickens thought their writing might not be up to scratch.

7) Do not read reviews. Positive ones will only enlarge the ego and make you think you are a master of your craft and don’t need to improve. This leads to stagnation. Or you will think you are terrible and stay awake every night thinking about them. Just be happy if someone buys your book. If only just once. Someone liked the idea. You.

9) If you’re writing you are a writer. No one says to an unexhibited artist they’re not an artist or unrecorded musician they are not a musician. If you create you are a creator. You don’t need permission or official recognition to be a writer. Are you writing? Then you’re a writer. It’s that simple.

10) Writers like lists. They’re quick to write.

Thoughts based on Swallowed by A Whale (How to survive the writing life),’Edited by Huw Lewis-Jones.

2022 and all that

Well, 2022 brought a number of changes which impacted on what I write here. I have been submitting a new novel for consideration. But primarily, I have been writing a lot of prose-poetry. This has led me to the new outlet for my writing of Spoken Word.

What is Spoken Word?

Spoken word is when you perform any piece of writing to a group of people. It is often poetry but can be a story, monologue, or something else. It is quite flexible as to format.

Due to writing a lot of prose-poetry and sharing at my favourite writing group, I was encouraged to attend a Spoken Word night. I went along, sat, watched, then thought: I want to set up one of those. And where better than my favourite bookshop in my local area. So far they have been going well and I have been exposed to some great fresh writing that excites me and always leaves me thinking. Such a variety is on offer. All unique voices that should be heard.

Children love Spoken Word and enjoy writing poetry so it is a great thing to do for World Book Week. Why not start by enjoying watching some Michael Rosen, Benjamin Zephaniah, John Hegley, Kate Tempest, or Anthony Joseph?

As well as Spoken Word, I have been plotting and writing another one. I have changed my approach and audience for it. I’m venturing somewhere new. It is challenging and exciting. I’m trying to apply some of the approaches I use for my prose-poetry to the novel writing. I’m not sure it will work. Only time can tell.

What have you been doing?

Wild Words Festival 2022

So Friday 3rd to Sunday 5th June is the Wild Words Festival in Cuffley, Hertforshire. I am on stage Friday at 4:30pm and I must say I am really looking forward to it.

I have been sifting through my children’s poems to find daft ones, silly ones, disgusting ones to share to warm the audience up before we get onto the serious business of wishes.

Wishes are so important to stories. Without them many things would not happen. Events would not take place and characters would not be motivated to do something. Of course, the problem with making a wish is that usually something goes wrong as Billy found out Wishbone Billy.

If you can make the festival, do say high and do let me know what you thought of my books if you bought them. I always love to find out from children what they think. If you can’t make the Wish Wonder you will probably find me hanging out in the festival’s bookshop buying more books when I really shouldn’t. I have so many to read already!

Anyway, whatever you are doing over the weekend don’t forget to take time to find a quiet space and make a wish. Maybe just a small one. You never know who might be listening.

POEM: Bookshop

Quiet are the shelves
Time to let the words whisper.
Tomorrow they will be noisy.
Shouting stories at customers.
Protesting: buy me!
Medusa will leave you as a stone.
Transfixed before the shelves.
If only you had brought a shield.
But then, it is a bookshop.

This poem came about because I was in my favourite bookshop waiting for the end of day. It made me think of how quiet a bookshop must be at night and how each page of the books had a story to tell and wanted our attention.